Reflections on loom choices

Several people have asked me why I chose the Toika Eeva rather than any other loom. This post is for you, and for anyone else who hasn’t yet asked but would still like to know – which is probably most of you weavers, isn’t it?

Firstly, once you are thinking about 32 shafts, there are not very many options to choose from. If there were a local option, that would be the obvious choice, but there isn’t. However, I could narrow it down to Europe at least, so – somewhat regretfully – I ruled out AVL. This left me essentially weighing up the Louët Megado against the Toika Eeva or Liisa.

In the UK the default option for a while has certainly been the Megado, and I know many people who weave on one. Including, as it happens, myself. I don’t have a 32S computer-driven Megado, but I continue to work very happily on the 16S mechanical dobby Megado which I bought from Ans ten years ago. I really enjoy weaving on this loom, and know it well. By contrast, I had only had one shot at weaving on an Eeva and none at all at weaving on a Liisa. For both makes, I know weavers who have them and love them.

Questions of size

The Megado comes in several weaving widths up to 130 cm, the Eeva and Liisa in a completely different range of options up to 150 cm. Irrespective of weaving width, though, the Toika looms are physically bigger. They are deeper and taller and occupy a great big chunk of space. Now my home is in a building that was built in the 1860s and the rooms are large. We don’t have so many rooms that we can do anything and everything we might like to, but we do have the volume to accommodate a large loom if that’s how we choose to live*. Hey, we may never see our friends again anyway, so who needs a big living room? Seriously, though, this would not be a viable option in many newer houses. Have we finally discovered the one advantage of living in a drafty old conversion? It is, in other words, a genuine choice.

Features and functions

There are many different things I want to do on this loom, and they will involve (not necessarily all at once)

  • weaving wide pieces
  • complex multi-shaft threadings
  • warps made sectionally
  • supplementary warps

These are things I already do, but couldn’t do all at once because I didn’t have one loom that could handle them all. Both Toika and Louët have made provision for them. Both looms have a single-box fly shuttle (only the AVL offers a double-box, alas, in spite of much pleading by European weavers), and both offer sectional warp beams, for instance.

However, I have increasingly been working with supplementary warps, and this is something that Louët doesn’t do so well. I added a second warp beam to the Delta many years ago, and to the Megado more recently, but it frustrates me that it is not connected to any braking mechanism at the front of the loom. It could be converted to live tensioning, I guess, but why not supply it so that it is integrated like the main warp beam?

The second warp beam on the Toika is fully integrated so that the weaver can manage the tensioning and the warp advance from the front of the loom, and this was a big selling point for me. I have one sectional and one non-sectional beam. So far I have only made single warps, but I have a genuine choice about which beam to use since both are equally operable from the front. The cog wheel tensioning system has actually surpassed my expectations, because it allows very subtle adjustments. I had no idea I would get so much pleasure from advancing the warp! You might not think that warp beam mechanisms were something to get excited about, but for me, this was the clinching argument in favour of the Toika.

Niche concerns

However, I was also swayed by a couple of other points. Possibly small points, but in the greater scheme of things aren’t they all?

One is the openness of the structure and access to the shafts. I have had to add and to move heddles on the Megado several times, and not even the coronavirus could make me do it again. It is a nightmare to get in there and release the shaft, never mind fixing it back in place. For a few years now I have had the heddles distributed in a way which works pretty much optimally for the sorts of weaves I do, but I have to be continually alert to this issue when designing. I would rather change the design than ever add another heddle, and that’s what I do. It works, but it’s a relief that it won’t be challenging-to-the-point-of-deterrence on the Eeva.

Another is the option to have a hanging beater. I am accustomed to weaving with a standing beater, but I’m keen to broaden my horizons and am already enjoying the ease of the swing. Although working with the fly shuttle is that bit more terrifying than it was on the Delta, I reckon I can get to grips with it. And I’m vaguely aware at the corners of my vision, that having a high castle with a hanging beater means I can rig the fly shuttle to work with a floating selvedge, in a way that proved infeasible on the Delta. I have yet to attempt this, though, so don’t hold me to it.

The main trade-off that I am aware of is that the Toika’s computer brain is a bit less subtle than that of other computer looms. That might seem like quite a major concern, but it does also have the reputation of being a very reliable computer brain, which could be seen as a major issue too. And as all computer loom brains are equally new to me, I can learn to work with this one.

Shafts, really?

I’ve also had several comments about the TC2, which seems to be the loom people expect to arrive in a crate from Scandinavia, so I will just add that it was never under consideration. Even if I had the budget, to date I have no interest in jacquard weaving as something that I would do myself. I love that other people are doing it, and I love seeing the diverse work of other weavers, but no thank you. Shafts for me.

I consider myself an exceptionally fortunate weaver to have access to a loom like this and a place to work on it. The Eeva was my choice because it addresses some very specific points that I prioritised, but I just want to add that I would be delighted with any of the above. They are all fantastic looms and I’m anticipating years of happy weaving on mine.


* I’m using the royal ‘we’ here, of course. S knows the score.

Reflections on loom choices” was posted by Cally on 19 March 2020 at

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Patience and time

People who see my weaving at events and Open Studios often react with “You must be so patient to do that.” I find this puzzling. I mean, I know they aren’t really commenting on my temperament. It is a way of saying “That looks awfully slow and fiddly and I don’t think I could do it” which is fair enough. But it still doesn’t seem to relate to my weaving practice, because I think of patience as something you need when you aren’t doing what you want to do. When I am enjoying what I do, the patience mode is not activated.

On the whole, though, I am not a particularly patient person. I like to be actively doing things and making stuff happen, rather than waiting for things to happen by themselves. This is my main reason for preferring weaving to dyeing! And now here we are in this strange in-between-world of waiting for the sky to fall, and wondering what life will look like after the sky has hit the ground. We are being called on to be patient indeed, in a state of anxiety and uncertainty which is the very opposite of the relaxed state of enjoyment I think of when I think of threading up a loom. But so it is.

At the moment my working time is divided three ways.

There is the normal content. This week my main task is marking a set of assignments. The usual deadline applies and I am plodding along towards it.

There is the unravelling content. Events are being cancelled and postponed, and my diary is emptying out. I am working through the slow, sad business of cancelling workshops and sending out refunds. It’s frightening and depressing, but it must be done.

And there is the restorative content. The work of the loom. I haven’t shared much work-in-progress on this blog for a while. I find it very difficult to write in real time about my thoughts and challenges, because I have learned that I need to conserve that energy for the work itself. Then, once the work is done, the thoughts and challenges are wrapped up and I find it just as difficult to unwrap them again. But I am going to try and post a little more while we’re in this suspended place, though I hope you’ll excuse me for withholding details I am not ready to share.

My priority for the next few weeks is the Shift Canada project, which has continued to develop out of our trip to Nova Scotia. My partner and I have been meeting regularly online, sharing ideas and experiments, and my first samples on the Toika have been woven with this project in mind. But our deadline is approaching, so it is time to get serious and get a weave on.

For my ground cloth I am using some of this lovely wool singles from Uist Wool. It’s a beautifully subtle blend of natural creams and greys. Quite a chunky yarn, as you can see from the photo. You’ll have noticed that I am calling this a ground cloth. Yes, I will be adding things to it! It’s going to be a slow, steady weave. Quite appropriate for the time we are in.

Stay safe, stay well, weave if you can.

Patience and time” was posted by Cally on 17 March 2020 at

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Are we there yet?

Yes, we are!

It took us a couple of weeks of snatched hours and half-hours, but the Toika Eeva is now assembled. On Thursday I put on a test warp, but other than as ‘proof of concept’ have hardly had time to weave it.

As I needed S to help with all the heavy lifting, we mainly worked in the evenings. The light in the room is legendarily bad at night (something we have had on our list to sort out for the last twenty years, so don’t hold your breath), my WIP photos are unintelligible. However, I can clearly demonstrate our progress:


Eeva occupies the spot vacated by the Delta (plus quite a bit) so I still have a loom-with-a-view, but also a loom-with-cables, which is an entirely new experience for me. I’m re-learning my relationship to Fiberworks, as well as to the loom. I’ll let you know how it goes…

Are we there yet?” was posted by Cally on 25 Feb 2020 at

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New Arrival

Yesterday a crate arrived from Finland. Absolutely no prizes on offer here. If you can’t guess what was inside, you are probably lost on the interwebs.

The driver had quite a task to get it off the truck as it was an extremely snug fit. Yes, this made me very nervous. But he was ingenious and capable and all turned out well. ‘Parked’ in front of our car, the crate was about the same length and width.

Luckily for me, S had already been planning to work from home on Friday, and was sanguine (he is always sanguine!) about devoting his lunchtime to manual labour. It took us two stages – road to patio, patio to house – and about an hour and a quarter to carry everything indoors and get the crate out of the public highway.

So now you know it is a loom from Finland. You want to know which one, don’t you? Can I tease you a bit longer, or can you tell from the pictures? It is actually written on one of the boxes, but you’ll have to zoom in.

No, I’m not spending the weekend putting it together, because there’s a wee hitch. Since the Delta went off to its new life a couple of weeks ago, S thought he would seize the chance to revarnish the floor. But the Toika was a bit speedier to arrive than we anticipated! So this is the varnish-enough-floor-to-stand-a-loom-on weekend, and assembly is on pause for a few days. Naturally, I will keep you posted…

New Arrival” was posted by Cally on 8 Feb 2020 at

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Loom for sale

UPDATE: The loom is now sold. Thanks to everyone for spreading the word! Delta is looking forward to the next stage in its weaving adventures.

The time has come to sell my lovely Louet Delta countermarche loom. I am sad to part with it, but need to make space for – guess what – another loom. I have added a lot of extras to the basic loom, so the complete package now consists of:

Key features:

  • 8 shafts
  • 14 treadles
  • 130 cm (approx. 51 inches) weaving width
  • Built-in raddle
  • Sectional warp beam
  • Second warp and back beam
  • Fly shuttle attachment

Price also includes:

  • Louet loom bench
  • 10 dpi reed
  • Lease sticks
  • Fly shuttle and pirns
  • Approx. 200 heddles per shaft

The overall dimensions are approximately:

160 cm wide (230 cm with fly shuttle attachment)
100 cm deep (115 cm with second back beam in place)
128 cm high

It could be expanded to 12 shafts with an extension kit available from a Louet dealer.

I’m asking £2,500 for the whole lot and the buyer will need to collect from Dundee. Hey, you can visit the V&A while you’re here! If you are interested, drop me a line.

These photos were taken a few weeks ago in my rather crowded room: it is difficult to step back and get it all in… They are a mix of portrait and landscape, so click the wee squares to see the full glory.

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